Dancing in the North

The Nutcracker: a Prelude

 

A brief word on the Nutcracker, since our last performance will be today at 2 in Hering Auditorium.

Last night’s performance was radiant.  This year’s cast is a mix of upcoming North Star Ballet dancers, a couple of returning dancers, and guests at different stages of their careers.  Although the sets have been the same for over twenty years, they still remain fresh to me–it’s like entering a beloved childhood home, slightly distorted in the manner of dreams.

I have long wanted to write more on the Nutcracker, having written publicity articles on our local version of it for nearly 15 years now.   Since the Nutcracker season everywhere can extend from now to New Year’s, I’ll post a few meditations on the story and its archetypes and significances–at least as I see it.

Mostly, don’t dismiss the Nutcracker.  At the end of last night’s performance, I thought of how this ballet, unlike, say, Swan Lake, contains no tragedy (unless you are a mouse, that is), and that this lack of tragedy allows some viewers to dismiss it.  But for me, the ballet represents a rite of passage–for the dancers, for Clara/Marie moving from childhood to adulthood, and for us, the audience, watching this ritual ballet as we head into the darkest time of year.  Who wouldn’t want to go to the Land of Sweets and be ushered into the future by the ever-competent Sugar Plum Fairy?

I’ll be there this afternoon, tearing up as I always do–the gorgeous music with its dark undertones and its possibility of light and hope–and defending my bid on the ten-pound bag of organic carrots at the silent auction!

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